A couple of weeks before I went on holiday, I got the chance to head to The Other Palace to catch the limited engagement of Heathers The Musical. Since I booked my ticket way back when, it’s been announced that Heathers The Musical is transferring to the Theatre Royal Haymarket just down from Piccadilly Circus. But should you take the opportunity to catch the show?
I made it no secret that when I saw Strictly Ballroom The Musical during its April previews, I didn’t love it. It wasn’t what I was expecting in the slightest and I walked away underwhelmed. However, I’ve had the opportunity to spend a few months away from the show. It’s had a chance to polish the rough edges (and change up the songs a fair bit), and there’s even been a slight cast change. So four months on from its opening, did Strictly Ballroom The Musical get the chance to wow me?
I’m not entirely sure what I watched at the Arts Theatre when I attended the press night for Knights Of The Rose, but it wasn’t what I signed up for. Andy Moss and Katie Birtill were so positive about the production when I interviewed them a couple of weeks prior to Knights Of The Rose opening, but did they genuinely think the show they were in was good?
I’m going to hold my hands up and say that until recently I had never seen The King And I, despite it being on Rodgers & Hammerstein’s most popular musicals. It’s a film that my mum absolutely adores, but I’d just never managed to catch it in full. Thanks to London Box Office I was able to catch the Tony Award winning transfer from the Lincoln Center at the London Palladium.
Knights Of The Rose is the latest in a long line of brand new productions to make its West End debut at the Arts Theatre (The Toxic Avenger; Ruthless). Knights Of The Rose is a classic rock musical of Shakespearean proportions, featuring legendary ballads and timeless anthems from the likes of Bon Jovi, Muse, No Doubt and many more. Last week, I had the chance to speak to Andy Moss (Hollyoaks, Doctors) ahead of the opening of this brand new production.
I really enjoyed the first series of How To Get Away With Murder, and despite never getting around to watching the second (or any of the others), I was eager to catch Afred Enoch’s West End debut in Red. In 2009, John Logan’s play Red opened at the Donmar Warehouse starring Alfred Molina and made a direct transfer to Broadway, winner of six Tony Awards including Best New Play, and earning Molina a Tony nomination for Best Actor In A Play. But until last month, Red had reached the West End.