After interviewing Andy Moss earlier this week, I’ve taken the opportunity to chat to one of his Knights Of The Rose co-stars, Katie Birtill. Previously appearing in The Last Five Years, Priscilla Queen Of The Desert and Sweet Charity, Katie is making her way to the West End stage for just eight weeks for this brand new story.
Knights Of The Rose is the latest in a long line of brand new productions to make its West End debut at the Arts Theatre (The Toxic Avenger; Ruthless). Knights Of The Rose is a classic rock musical of Shakespearean proportions, featuring legendary ballads and timeless anthems from the likes of Bon Jovi, Muse, No Doubt and many more. Last week, I had the chance to speak to Andy Moss (Hollyoaks, Doctors) ahead of the opening of this brand new production.
Now I may not have made the trip to see Heathers at The Other Palace just yet (give me a few more weeks, and then I’ll have the review ready for you), but I got swept up in the hype surrounding the show on Friday when I went to see Serenade London: For The Love Of Girls, and it was worth giving myself a little bit of a late night before West End LIVE.
I’ve seen a lot of shows produced by Katy Lipson for Aria Entertainment over the past year that I’ve loved – Pippin, Yank, Spring Awakening and The Toxic Avenger were all brilliant – so when I heard she was bringing a song cycle to the Union Theatre, I was definitely interested. It’s Only Life brings together five performers following a story of longing, wisdom, fulfillment, loss and triumph, tying these feelings with songs by John Bucchino.
I’ve made no secret of the fact that I love Mischief Theatre – I’ve seen The Play That Goes Wrong in the West End and on tour, and I’ve seen The Comedy About A Bank Robbery twice in the West End. Unfortunately I missed out on their latest show when it had a brief run at the Arts Theatre over Christmas, but I was able to catch Mischief Movie Night at the Curve Theatre last night.
I really enjoyed the first series of How To Get Away With Murder, and despite never getting around to watching the second (or any of the others), I was eager to catch Afred Enoch’s West End debut in Red. In 2009, John Logan’s play Red opened at the Donmar Warehouse starring Alfred Molina and made a direct transfer to Broadway, winner of six Tony Awards including Best New Play, and earning Molina a Tony nomination for Best Actor In A Play. But until last month, Red had reached the West End.